Its piercingly astute examination of a child’s world is reflected no better in the quite brilliant scene where the mother is literally unable to see a drunken alien staggering around her kitchen because she is so absorbed in the stresses and concerns of the adult world. Melissa Mathison’s deceptively simple screenplay (which contains zingers such as “How do you explain school to higher intelligence?”) strikes a perfect balance between thrills, comedy, tragedy, reflection and exhilaration celebrating childhood innocence, courage, and love. Dee Wallace is equally good as Elliot’s mother Mary, and Peter Coyote is wonderful as NASA scientist Keys at first a menacing presence (depicted from the waist down with a set of keys hanging from his belt, complete with jangling sound effects), he later confesses to the same loneliness as Elliot, longing for a friend from another world. Henry Thomas, Drew Barrymore and the often overlooked Robert MacNaughton (as Elliot, his younger sister Gertie, and older brother Michael respectively) provide the greatest, most convincing, most realistic child performances I have ever seen. These and many other moments were the reasons I fell in love with movies in the first place.
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Then you have that iconic moon bicycle fly-by one of the most memorable images in cinema history.
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Or the brilliant way he shoots most of the film at a child’s eye level, mostly depicting adults the way they appear in Tom and Jerry cartoons, from the waist down. Take the superb, wordless opening a terrifying night chase in the forest that had my heart in my mouth when I saw the original release as a child in 1982. This is Steven Spielberg’s greatest film, and as director he is in complete command of his material. And helps him secretly build a transmitter, enabling him to “phone home” and ask his spacecraft to return and pick him up. įor those who have had deprived childhoods or otherwise somehow not seen this, the plot concerns a benevolent alien accidentally stranded on Earth who befriends a young boy dealing with the separation of his parents.
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The Extra-Terrestrial (1982) Richmond| Virginia| United States.
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The Extra-Terrestrial Full Movie Online Free – GoMovies. Essentially converted me to cinema in a Damascus-Road type experience as a seven-year-old, circa 1982. Aside from the fact that the film is outstanding on every artistic level and an acknowledged classic, E.T. It is also a genuinely great piece of cinema worthy of inclusion in any list of the greatest films ever made, and I will brook no argument to the contrary. The Extra Terrestrial is my favourite film of all time. The Extra Terrestrial (1982) UK Certificate: U US Certificate: PG Intended audience: All ages Let me say up front that E.T. Digitally remastered for optimal picture and sound, this astounding story is sure to thrill viewers of all ages again with its timeless message of trust, courage, and the overwhelming power of friendship.
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Henry Thomas, Drew Barrymore and Robert MacNaughton star in the unforgettable story of a lost alien and the 10-year-old boy who helps him find his way home. The Extra-Terrestrial, the beloved masterpiece from Academy Award®-winning director Steven Spielberg. Journey back to the magic and adventure of “one of the great American films” (Leonard Maltin) with E.T. A troubled child summons the courage to help a friendly alien escape Earth and return to his home world. Falls ill, resulting in government intervention and a dire situation for both Elliott and the alien. Bringing the extraterrestrial into his suburban California house, Elliott introduces E.T., as the alien is dubbed, to his brother and his little sister, Gertie, and the children decide to keep its existence a secret. Storyline: After a gentle alien becomes stranded on Earth, the being is discovered and befriended by a young boy named Elliott.